Thursday, June 3, 2010

Total Review: Shutter Island

Proceeding further I would like to talk about another film. Yesterday I got hold of DVD of Shutter Island. It stars Leonardo DiCaprio and Ben Kingsley. I have always liked the combination of DiCaprio and director Martin Scorsese like Gangs of New York and The Departed though I am not much of a fan of Aviator. The screenplay of Shutter Island is refreshingly twisted and provides the quality of suspense which I was craving for a long time.


PLOTIn 1954, U.S. Marshal Edward "Teddy" Daniels (Leonardo DiCaprio) and his partner, Chuck Aule (Mark Ruffalo), go to the Ashecliff Hospital for the criminally insane on Shutter Island. They are investigating the disappearance of Rachel Solando, a patient said to have vanished from a locked room. Dr. John Cawley (Ben Kingsley), the head psychiatrist, explains that Rachel was institutionalized after drowning her three children.During the search for Rachel, Teddy sees a lighthouse but he is told it has already been searched. The Marshals question the staff and learn that Rachel's psychiatrist, Dr. Sheehan, left for vacation that morning. Teddy asks to see the hospital personnel files but Cawley refuses. That night, Teddy has strange dreams about his wife, Dolores Chanal (Michelle Williams), who had died in a fire two years before. During this dream, she tells Teddy that Rachel is still on the island, as is Andrew Laeddis, the man who started the fire in which she died.

In the morning, they interview patients from Rachel's group therapy sessions, one of whom, after creating a diversion for Chuck, passes Teddy a warning to run. Later that day, Teddy explains to Chuck the real reason why he took the case: after being transferred to Ashecliff, Andrew Laeddis disappeared, so he took it upon himself to investigate the institution. During Teddy's investigation, he met George Noyce, a former patient who claimed that the institution was performing experiments on humans, so Teddy sets out to bring it down.
At a given point, and without any anticipation, Teddy is told Rachel Solando (Emily Mortimer) had appeared some time ago, that she is just fine, and he is presented with her. This brings up a scene in which a delusional Rachel mistakes Teddy for her husband who died in war, finally going psychotic. After this, Teddy starts feeling sick, developing photosensitivity and getting increasingly intense headaches. During his sleep he has an episode of hallucinations, after which he wakes up and sets out to investigate Ward C, where the most dangerous patients are. There he eventually finds Noyce (Jackie Earle Haley), who says that the whole situation is a game for Teddy's benefit and that he is afraid of being taken to the lighthouse.
Teddy and Chuck escape the institution, heading to the cliffs surrounding the island, intending to reach the lighthouse. At some point, Chuck disappears and Teddy discovers a cave where the real Rachel Solando (Patricia Clarkson) is hiding. She tells Teddy she was a doctor at Ashecliff until she found out about the experiments and was therefore committed as a patient. She explains that the hospital is using psychotropic medication in an attempt to master mind control, seeking to create sleeper agents for use in the Cold War. She says that Teddy has been similarly drugged since he arrived on the island.



Teddy then makes it to the lighthouse but finds nothing unusual, contrary to what Noyce and Solando had made him anticipate. When he finally makes it to the top, he finds Dr. Cawley waiting for him. The doctor reveals that Teddy is actually Andrew Laeddis and he's been a patient for two years, under the care of Dr. Sheehan, the man he thought was Chuck. Cawley tells Teddy it was actually he who shot and killed his manic depressive wife after she drowned their three children, and then went on to create a fantasy where he was a hero to evade his reality. This fantasy implied his adopting his new identity as Edward Daniels, an agent investigating the disappearance of Rachel Solando, these names being anagrams of "Andrew Laeddis" and "Dolores Chanal", his name and his wife's. Cawley explains that during his time in the clinic, Andrew had gone through several cycles of beginning his investigation, only to find out the reality about his crime, after which the cycle restarted, so Sheehan and Cawley decided to try an experimental therapy, in which they contributed to enact Andrew's fantasy, in an attempt to bring him back to reality, before a lobotomy is deemed as the only viable remedy.

CONCLUSION
Shutter Island, undoubtedly is a psychological thriller masterpiece that works at many levels. On one side it shows the intelligence and reasoning of Teddy as a detective and as we proceed further into the film, we feel the helplessness of Andrew Laeddis. This is the kind of movie which requires at least two or three watch but still something feels missing. On watching it second time, you understand why Ted was having difficulty in finding his own cigarette in the very beginning, why Ted is always restless and perspirating and Chuck is always cool. Ted has hallucination of his wife numerous times in the film.

I'm Back

Hi Friends,
I am back nearly after six months. I was absent for this period as I had an important work to do and I have passed through a very important phase of my life. Enough talk about me.
Well it seems like that all my craze and excitement about Avatar didn't go waste and it surely became the most successful film of all time crossing the benchmark of 2 Billion dollars worldwide apart from being a masterpiece. Cameron came up with God like details and created an extraordinary visual extravaganza. Even those who didn't like it in the very first time, have started to give it second thoughts.

Avatar has now become a part of history and many things have changed since then.

Sunday, November 1, 2009

Avatar latest trailer - Looks just wonderful

Finally I got a chance to see the latest Avatar theatrical trailer that I discussed about in my last Avatar post. This one is way much better than the previous 'teaser' trailer. The trailer by its end makes such an atmosphere at it feels it is must to watch this movie. It also gives a hint that this movie is going to be epic and super-duper hit, this is for sure but only thing I anticipate is "Will Cameron be able to shatter box-office record of his own film Titanic which is the highest grossing film of all time, till date".To cut a long story short it would be prompt to say that this trailer is "nothing if not marvellous."


Avatar latest trailer - Looks just wonderful

Finally I got a chance to see the latest Avatar theatrical trailer that I discussed about in my last Avatar post. This one is way much better than the previous 'teaser' trailer. The trailer by its end makes such an atmosphere at it feels it is must to watch this movie. It also gives a hint that this movie is going to be epic and super-duper hit, this is for sure but only thing I anticipate is "Will Cameron be able to shatter box-office record of his own film Titanic which is the highest grossing film of all time, till date".To cut a long story short it would be prompt to say that this trailer is "nothing if not marvellous."


Thursday, October 29, 2009

Latest Avatar trailer is now online, check it out

The latest official trailer of James Cameron's latest sci-fi magnum opus is now online( the director of Titanic, Terminator 2: Judgment Day etc). I have received this message on my twitter RSS feed but unfortunately I am unable to watch it at the moment because when ever I trie to watch it on yahoo movies it says "this video is not available for your location now, try sometime later". But if you are in the United States of America, Canada you can watch is at Yahoo Movies. They should not do such thing, not atleast online for god's sake. I thought internet would be a platform for every person on earth to take privilege of what's going on all across the globe instantly but now I am feeling really backward an as if I am living in a third world country. Grow up humanity, India now isn't that third world. Well Keep in touch.

Tuesday, October 27, 2009

James Cameron's interview with LA Times

James Cameron on 'Avatar': Like 'Matrix,' 'This movie is a doorway'

This is the exact reproduction of James Cameron's interview given to Los Angeles times. In this interview Cameron for the first time discloses so much about his much anticipated film Avatar. According to Cameron like 'The Matrix' in the year 1999 created a breakthrough in the history of cinema, his Avatar too is going to be a groundbreaking success that will be remembered for years to come. Let us hope that whatever he says should come true because all these years we too are bored from all those Hollywood's regular summer blockbusters. We really need a refreshing eye candy. Ain't we?


EXCLUSIVE: PART 1 of the HERO COMPLEX interview

“Go ahead, fire away, I’m your guy.” That’s the first thing James Cameron said to me, and I had to smile – I certainly had plenty to ask him about. I had just sat down and watched about 35 minutes of footage from “Avatar” and, to put it bluntly, I was dazzled. I saw more footage than fans at Comic-Con International (I saw, for instance, a tense scene toward the end of the film as Sam Worthington’s character, Jake Sully, is made a prisoner on the alien world of Pandora) and even found out how the film ends (don’t worry, no spoilers here). But let's get to it -- this is Part 1 of the Hero Complex interview with Oscar-winner Cameron, the 54-year-old Canadian filmmaker whose 20th Century Fox sci-fi epic "Avatar" reaches theaters on Dec. 18.

James Cameron on Avatar setGB: Jim, congratulations on the film, it’s very, very compelling. I'm excited to see it in its entirety and even more excited to talk to you about it.

JC: Well, thanks; I’m really glad you liked it. And that’s what we were hoping for. We’ve been working like crazy on this for a long time. And what we want is for people to like it, so that’s nice to hear.

GB: I have to say it was refreshing to see a big, special effects film that was not based on a bestselling novel, a comic book, toy, old television show. That’s rare these days, and it’s a treat to go in, sit down and have no idea where the plot and the characters were going to go.

JC: It’s simultaneously one of the great strengths and one of the potential weaknesses. We have no brand value. We have to create that brand value. “Avatar” means something to that group of fans that know this film is coming, but to the other 99% of the public it’s a nonsense word and we have to hope we can educate them. Well, I shouldn’t say a nonsense word – it doesn’t mean anything specific in terms of a brand association. And in fact there may be even a slight negative one because more people know about the Saturday morning cartoon, the anime, than about this particular film. We’ve got to create that [brand] from scratch. On the other hand, ultimately, it is probably the film’s greatest strength in the long run. We’ve had these big, money-making franchise films for a long time, “Star Trek” and “Star Wars,” you know, “Harry Potter,” and there’s a certain sort of comfort factor in that; you know what you’re going to get. But there’s no kind of shock of the new that’s possible with that. It’s been a while since something that took us on a journey, something that grabbed us by the lapels and dragged us out the door and took us on a journey of surprise.

GB: “The Matrix” immediately springs to mind…

JC: Yes, yes, that’s a very, very good example. That’s something where we had no real way of knowing what that film was going to be about and it really just took us on a great ride.

GB: And like “The Matrix,” this movie presents this immersive experience. The alien world and the technology you’re using to tell the story, it’s a big movie .

JC: The story is told very much from character. You go on Jake’s journey with him. It actually starts quite small. It starts close to him, in his apartment with him, and it just expands and expands in scope as it goes along.

GB: I smiled at the “You’re not in Kansas anymore" line when the main character reaches the alien world. There really is this “Wizard of Oz” sense of transportation when the story reaches the planet of Pandora.

JC: Yeah. It’s my favorite movie; I had to get it in there somewhere. The production designer was Rick Carter, who actually played that out. He thought how it was, in some ways, likeDorothy’s journey. I didn’t quite get as much of that [when I first wrote it]. You do things sometimes as a writer subconsciously, things you’re not even aware of. I’m always comfortable doing things instinctively because I see it as taping into this vein of archetype that works for a broader audience base. I don’t question what I’m doing if it feels right. There might be some other references there I might not be aware of.

GB: You wrote the first script for this film almost 15 years ago. While you were waiting for technology to reach the point where it could be made, I’m curious how much of that very earliest story remained intact.

JC: I had to rework to make it possible. My treatment was so expansive and novelistic that it needed to be necked down just to make it something that could be done on the screen. This film is done on an epic scale, but it's done within the parameters of a Hollywood movie. What I found is that instead a script I had written the outline of a novel, and it was just too much story, too much back story, too many secondary characters … but look, sometimes lightning just strikes; you have write everything down, get it done. Better to weed it out later and not miss an idea. It was essentially the longest script, in terms of the amount of time it took me to get a workable draft. The first time I tried, it ended up being more than 200 pages, so I had to go back and throw out big chunks, a lot of ideas went out. But I have to say the essence of all the big ideas stayed and I felt pretty good about that.

GB: The heritage of the project and the mystery of it, since it’s not an adaptation, have created this fairly intense interest among the fanboy sector. That was obvious with the interest leading up to Comic-Con International. Do you feel you have to win fans over now to create the sort of success you want for this movie?

JC: I think there are no real negatives because we aren’t going to get prejudged like “Watchmen” or even a Batman or Spider-Man movie because you don’t have all that history and that huge, brand-based mythology that you have to live up to. We aren’t going to piss anybody off because they don’t know what this thing is. Nobody read the novel, nobody read the graphic novel, we’re not going to be playing against expectation. They aren’t going to be viewing us as a disappointment or letdown before the movie even starts. This is a doorway and they don’t know what’s on the other side. We’re going to open it for them.

There are a lot of fans of this kind of science fiction and fantasy film, and I think it's pretty fertile soil for us. I don’t want to sound like, you know, ‘Pride goeth before the fall,” or too much hubris, but I think we get those fans to support this. I think our greater challenge is the wider public, which isn’t as predisposed to embrace the movie like those fantasy and sci-fi fans. We need to talk to that audience and make them believe that this is a must-see even if they aren’t sci-fi fans. And I’m not putting down Comic-Con fans. When I go down there I’m among my peeps. It’s a great place to unveil “Avatar.”

-- Geoff Boucher

Monday, October 26, 2009

AVATAR: Seemingly Precocious Sci-Fi Breakthrough from the Director of Terminator 2,Titanic


James Cameron (the director of The Terminator, Aliens, The Abyss, Terminator 2: Judgment Day, True Lies and TITANIC) is all set to bring forth his latest sci-fi 3D extravaganza called 'AVATAR'.
Cameron's last theatrical movie was Titanic which was released 12 years back in 1997. Titanic needs no introduction to any one. the Leonardo di caprio & Kate Winslet starrer Titanic(which was produced at then highest budget of $ 200 million) became the highest grossing film of all time making the record amount of more than $ 1.8 Billion i.e about 8500 Crores of Rupees. My God that's more than the net income that NTPC India's leading power generation Public Sector Undertaking(PSU) earned in the year 2008. Adjusting for inflation during all these years the gross of Titanic can ever cross the magic figure of $ 2 Billion or accordingly 10000 Crore Rupees!


Well as they say success speaks for itself that's why Cameron is all set to release Avatar on December 18, 2009 all across the globe simultaneously. The budget of this movie is reportedly $ 300 million. The official figure is not yet released but as claimed on some websites that the budget may have exceeded far away from $ 300 million figure making it the most expensive movie of all time. The reason behind this humongous budget of Avatar is that it is the result of James Cameron's scientific tryst of successfully experimenting a latest technique of filming in 3D (three dimension). Plus the movie is only around 30% live action and the rest is composed of totally convincing 3D visual effects provided by Weta Digital, the four time oscar winning New Zealand based special effects company which produded visual effects for the Lord of the Rings trilogy and King Kong( the company is owned by Peter Jackson, the director of these films). You can see it yourself by watching the trailer -

I am eagerly awaiting for the December 18, 2009 when Avatar will be released in India too (worldwide release). Lets see whether its released in IMAX theatre of Pacific Mall Delhi. James Cameron claims that he will change the way people perceive watching a movie in the theatre. Well expectations are really high but Cameron really does what he says. Keep in touch with this blog for further updates.